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The primary purpose of this book and its companion volume The Behavioral Genetics of Nicotine and Tobacco is to explore the ways in which recent studies on nicotine and its role in tobacco addiction have opened our eyes to the psychopharmacological properties of this unique and fascinating drug. While The Behavioral Genetics of Nicotine and Tobacco considers the molecular and genetic factors which influence behavioral responses to nicotine and how these may impact on the role of nicotine in tobacco dependence, the present book focuses on the complex neural and psychological mechanisms that mediate nicotine dependence in experimental animal models and their relationship to tobacco addiction in humans. 

These volumes will provide readers a contemporary overview of current research on nicotine psychopharmacology and its role in tobacco dependence from leaders in this field of researchand will hopefully prove valuable to those who are developing their own research programmes in this important topic.

• Sales Rank: #4198633 in Books
• Published on: 2015-02-01
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x .44" w x 6.14" l, .0 pounds
• Binding: Hardcover
• 172 pages

Review

“This book is designed for both researchers and clinicians who are interested in gaining a more thorough understanding of the neurobiology of nicotine … . The book is written by leaders in this field and will prove valuable for those who are developing their own research programs and those who want to obtain a greater understanding of the problematic and therapeutic workings of this molecule in the human brain.” (Michael Easton, Doody's Book Reviews, July, 2015)

From the Back Cover

The primary purpose of this book and its companion volume The Behavioral Genetics of Nicotine and Tobacco is to explore the ways in which recent studies on nicotine and its role in tobacco addiction have opened our eyes to the psychopharmacological properties of this unique and fascinating drug. While The Behavioral Genetics of Nicotine and Tobacco considers the molecular and genetic factors which influence behavioral responses to nicotine and how these may impact on the role of nicotine in tobacco dependence, the present book focuses on the complex neural and psychological mechanisms that mediate nicotine dependence in experimental animal models and their relationship to tobacco addiction in humans. 

These volumes will provide readers a contemporary overview of current research on nicotine psychopharmacology and its role in tobacco dependence from leaders in this field of researchand will hopefully prove valuable to those who are developing their own research programmes in this important topic.

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[M637.Ebook] Ebook Download The Werewolf of Paris: A Novel, by Guy Endore

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Endore's classic werewolf novel - now back in print for the first time in over forty years - helped define a genre and set a new standard in horror fiction. The werewolf is one of the great iconic figures of horror in folklore, legend, film, and literature. And connoisseurs of horror fiction know that The Werewolf of Paris is a cornerstone work, a masterpiece of the genre that deservedly ranks with Mary Shelley's Frankenstein, Bram Stoker's Dracula, and Robert Louis Stevenson's The Strange Case of Dr. Jekyll and Mr. Hyde. Endore's classic novel has not only withstood the test of time since it was first published in 1933, but it boldly used and portrayed elements of sexual compulsion in ways that had never been seen before, at least not in horror literature.

In this gripping work of historical fiction, Endore's werewolf, an outcast named Bertrand Caillet, travels across pre-Revolutionary France seeking to calm the beast within. Stunning in its sexual frankness and eerie, fog-enshrouded visions, this audiobook was decidedly influential for the generations of horror and science fiction authors who came afterward.

• Sales Rank: #85660 in Audible
• Published on: 2013-11-05
• Released on: 2013-11-05
• Format: Unabridged
• Original language: English
• Running time: 673 minutes

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24 of 25 people found the following review helpful.
The Werewolf Classic
By Bruce Rux
This is my all-time favorite novel. I've read it so many times, I've lost track. When I first read it, I couldn't believe it wasn't a nineteenth century French novel, and that author Guy Endore was a twentieth century American.
Werewolf is the odyssey of born pariah Bertrand Caillet, a werewolf in spite of himself. Every life he touches suffers, whether he means it to or not. He rifles graves for sustenance during his lycanthropic episodes, and conceals his identity by becoming a French soldier during the Franco-Prussian War and the Communard uprising. He even finds the one woman whose love might save him, an equally bizarre but oddly touching Jewish outcast named Sophie with decidedly S&M tastes.
The novel is many things, not the least of which is episodic. It's a love story, a war story, a tragedy, and an absurdist comedy, by turns. It's grotesquely funny, and hilariously terrifying. Most of all, it's a mature social satire, and just an incredibly damn good read.
Crime of crimes, this magnificent literary masterpiece has once again fallen out of print. Seek it out in the used book bins, until some publisher manages to rediscover it and put it back on the shelves of your local bookstore.

8 of 8 people found the following review helpful.
Classic Horror
By Michael Dea
Guy Endore's 'The Werewolf of Paris' is rightly considered a classic of horror and being published in 1933 as one of the first literary treatments of lycanthropy. The story is told from the view of an American scholar studying in Paris who happens upon an old manuscript concerning the court martial of Sergeant Bertrand Caillet at the time of the Paris Commune. The story of Bertand is then recounted, how he was conceived when his mother was raped by a priest and how he was born on Christmas Eve, a bad omen according to local superstition. At first he seems like a normal boy but then he starts to have strange dreams and farm animals start to become mysteriously slaughtered. His adoptive uncle suspect something is amiss with young Bertrand, but keeps the suspicions of the local villagers lulled by locking Bertrand's room at night and feeding him raw meat, which keeps his lycanthropy quiescent. This works for a few years until Bertrand is old enough to travel outside the village for his school exams, where he has an unfortunate tryst with a prostitute and acquires a taste for human blood. When his uncle finds out what has happened Bertrand flees to Paris, where he gets caught up in the turmoil of the Franco-Prussian war.
Bertrand is presented as a likable young man afflicted with a condition beyond his power to control. We also sympathize with his uncle who follows him to Paris, conflicted by his love for his adopted son and guilt over the deaths caused by him. Bertrand's crimes are contrasted with the horrors of the Paris Commune and the even greater horrors of the reprisals by the Versailles government. The book meanders somewhat but is still a very good story and a classic of the genre.

5 of 5 people found the following review helpful.
We Are All Werewolves
By K. Jump
Occasionally cited as to werewolves as DRACULA is to vampires, THE WEREWOLF OF PARIS is indeed a good book, generally well-written and at times scathingly insightful. Unfortunately, it is also only sporadically scary or suspenseful, and in fact the eponymous werewolf is really only a supporting player in his own tale. Author Guy Endore uses the story of the unfortunate Bertrand Caillet, son of a licentious priest and born on Christmas Eve, as a framing device through which to explore the nature of evil in the world and, most especially, the depths of depravity to which seemingly all men are capable of plunging if given the opportunity. To this end, Endore compares the evils of the cursed Bertrand, who grows up to be a young man consumed by dark, unholy urges and the proclivity to transform bodily into a wolf from time to time, to the mass wickedness of supposedly good men and women during the French civil wars of the late 19th-century. In short, Endore makes the case that every man is a werewolf. As a subtext, this is a worthy theme. The problem is that it isn't a subtext, but rather the primary narrative thrust of the whole novel. The werewolf story is really just a subplot, often completely lost in Endore's unfocused prose. Endore completely inverts what should have been a successful formula, so that instead of a great werewolf novel we are left with a passable war story in which one of the bit players happens to be a werewolf. THE WEREWOLF OF PARIS is certainly a must-read for fans of the werewolf sub-genre, simply because of its powerful reputation, but it is nowhere near to being the best of its kind. David Holland's MURCHESTON: A WOLF'S TALE is far superior in every way, and actually deals with some of the same themes of importance to Endore, as is Les Whitten's more conventional but expertly crafted MOON OF THE WOLF. THE WEREWOLF OF PARIS aims high, but falls well short of its author's ambition.

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This advanced study of steel reveals forging secrets that for centuries have been protected by guilds. Never-before-seen instructions, diagrams and photos explain the tricks behind using Japanese mokume gane, differential heat treating, power hammers, and other techniques to make kukris, wavy blades, spears and swords that bear the master's mark.

• Sales Rank: #1550189 in Books
• Brand: Brand: Paladin Press
• Published on: 1991-03-01
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 11.50" h x 9.00" w x 1.00" l,
• Binding: Hardcover
• 296 pages

Features

• Used Book in Good Condition

About the Author
Jim Hrisoulas is a master bladesmith specializing in medieval broadswords and daggers and Damascus pattern welding. He has almost 30 years of experience at the forge.

Most helpful customer reviews

71 of 72 people found the following review helpful.
This book is an indispensable tool for the knifemaker.
By nelsk@azstarnet.com
The second of three knifemaking books by Jim Hrisoulas. The first book "The Complete Bladesmith", is excellent for the beginner to intermediate forger. This second book is more in-depth, and written for those that need knowledge in the field that will not be found elsewhere. The book is for the intermediate student, to the advanced master of the blade. Again, Jim gives his expertise and knowledge openly to the practitioner, who wants to make knifemaking a serious part of life. For those interested in the production of swords, this book that has something to offer you. This volume covers all aspects of the bladesmithing trade, including the varied techniques and details which can forge, what would otherwise be a plain knife, into a working piece of art. Secrets, tips, tools, and techniques, are spelled out with the help of clear diagrams and explanations. Helpful compound tables, plus formulas for the manufacturing of flux, quenching, and etching mediums, are all included in this comrehensive volume. Jim also introduces the techniques for the creation of damascus steel in this volume. Those interested in the manufacture of damascus steel will also find a source of study, in Jims latest book, "The Pattern-Welded Blade", which is strictly for the advanced forger that desires to create damascus and mosaic patterens, and who has worked through Jims first two books. The books by Jim Hrisoulas are the best written in the field, and a most welcome addition to the forging knifemaker. Nels Nelson

5 of 7 people found the following review helpful.
A worthy sequal to The Complete Bladesmith
By L. A. Kane
This book is a great sequel to The Complete Bladesmith, one of the best works I've read on the subject. It is well written and full of sound, practical information for the experienced bladesmith, including everything from laying out your shop (e.g., lighting, ventilation, tools) to building and using a forge to make battle-worthy blades and works of anachronistic art. Contents include essential information about steels and alloys, compounds and formulas, and weights and measures that you need to successfully complete projects, along with advanced forging techniques, power hammer applications, grinding, heat treating, tempering, hilts, metal and wood finishing, leatherworking and scabbard making, damascus steel (pattern-welding), sword making, spear making, and ax making. There are also excellent chapter on Japanese nonferrous alloys. Mr. Hrisoulas's blade crafting skills are first rate and his writing talents readily convey his knowledge and experience in a way that you can immediately apply to your own work. Very well done.

Lawrence Kane
Author of Surviving Armed Assaults, The Way of Kata, and Martial Arts Instruction

0 of 0 people found the following review helpful.
Excellent book, good pics and Jim Hrisoulas tells you how to do things PROPERLY, not half @$$ed
By XexyzChronos
Excellent book, Jim Hrisoulas tells you how to do things PROPERLY, not half @$$ed. He inspired me to start my own blacksmith shop, along with a few other books, for the prices you can get this book, it has incredible artwork along with a contact list for all of the artists, emails, phone numbers, etc. They welcome questions as this is a fairly rare craft nowadays.

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[X715.Ebook] Ebook Writing About Literature: A Portable Guide, by Janet E. Gardner

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Writing about Literature introduces strategies for reading literature, explains the writing process and common writing assignments for literature courses, provides instruction in writing about fiction, poetry, and drama, and includes coverage of writing a research paper and of literary criticism and theory.

This volume in Bedford/St. Martin’s popular series of Portable Anthologies and Guides offers the series’ trademark combination of high quality and great value for teachers looking to assign supplementary instruction on reading and writing about literature to their students.

• Sales Rank: #902455 in Books
• Published on: 2008-10-29
• Original language: English
• Number of items: 1
• Dimensions: 8.27" h x .47" w x 5.49" l,
• Binding: Paperback
• 176 pages

About the Author
Janet E. Gardner, an associate professor of English at University of Massachusetts at Dartmouth, has published numerous essays on contemporary drama, especially modern British drama and the work of Caryl Churchill. She has received several grants and awards for research into current teaching technologies, and is at work on a nationwide study of drama and theatre pedagogy. She is the editor of 12 Plays: A Portable Anthology and co-editor of Literature: A Portable Anthology (both with Bedford/St. Martin’s).

Most helpful customer reviews

1 of 1 people found the following review helpful.
Helpful
By Arely Damian
A nice pocket-size how-to manual. Not necessary for everyone and may seem redundant for college-age people, but useful and concise for everyone.

0 of 0 people found the following review helpful.
Hope we can do business again
By Joe SC
Fast shipper and loved the condition of the book for my daughter's class. I hope we can do business again

0 of 1 people found the following review helpful.
Awful service!
By joyforever
The product is fine. The service was horrendous! Delivery from NJ to NY was extraordinarily long and I had to purchase the book from the book that told was shipped on 2/3 and had still nto received 3 weeks later.

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Well-respected and widely regarded as the most comprehensive text in the field, Antibiotic and Chemotherapy, 9th Edition by Drs. Finch, Greenwood, Whitley, and Norrby, provides globally relevant coverage of all types of antimicrobial agents used in human medicine, including all antiviral, antiprotozoan and anthelminthic agents. Comprehensively updated to include new FDA and EMEA regulations, this edition keeps you current with brand-new information about antiretroviral agents and HIV, superficial and mucocutaneous myscoses and systemic infections, management of the immunocompromised patient, treatment of antimicrobial resistance, plus coverage of new anti-sepsis agents and host/microbe modulators. Reference is easy thanks to a unique 3-part structure covering general aspects of treatment; reviews of every agent; and details of treatments of particular infections.

Offer the best possible care and information to your patients about the increasing problem of multi-drug resistance and the wide range of new antiviral therapies now available for the treatment of HIV and other viral infections.

• Stay current with 21 new chapters including the latest information on superficial and mucocutaneous mycoses, systemic infections, anti-retroviral agents, and HIV.
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Keep up on the latest FDA and EMEA regulations.

• Sales Rank: #2407057 in eBooks
• Published on: 2010-11-30
• Released on: 2010-11-30
• Format: Kindle eBook

Review

"This update of a book last published in 2003 has been written to capture the advances in antiviral and antifungal chemotherapy and to incorporate a number of changing therapeutic approaches to selected infections.

The aim is to provide an international compendium of information on the properties of antimicrobial drugs and advice on their clinical application in the care of patients. This is a high quality book that will be useful to a wide variety of students, residents, and clinicians who do not work regularly in the area of infectious diseases, as well as a reference for those who want to specialize in infectious diseases" - Doody's review service Rating - 4 Stars!

"As an authoritative account of anti-infective agents and their use in therapy, this book is an indispensable asset in every medical microbiologist's library. Copies should also be found in every self-respecting library within departments dealing with infected patients on a day-to-day basis." ACP News - Summer 2004 (review of 8th edition)

"Many advances in medicine such as cancer therapy, transplantation or use of prosthetic devices predispose patients to increased risk of infection...About half of the book focuses on treatment and is consolidated by coverage of the general principles and laboratory management of chmetherapy coupled with information on formulation of antibiotic policies and antibiotic stewardship...I would strongly recommend that microbiologists with an interest in infection and chemotherapy urge their institutional libraries to purchase this book."

Microbiology Today, October 2012

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• Published on: 1600
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An examination of the social and cultural significance of body art by a major new voice.

The past few years have seen an explosion of interest in body art, in which the artist's body is integral to the work of art. With the revoking of NEA funding for such artists as Karen Finley, Tim Miller, and others, public awareness and media coverage of body-oriented performances have increased. Yet the roots of body art extend to the 1960s and before. In this definitive book, Amelia Jones explores body art projects from the 1960s and 1970s and relates their impact to the work of body artists active today, providing a new conceptual framework for defining postmodernism in the visual arts.

Jones begins with a discussion of the shifting intellectual terrain of the 1950s and 1960s, focusing on the work of Ana Mendieta. Moving to an examination of the reception of Jackson Pollock's "performative" acts of painting, she argues that Pollock is a pivotal figure between modernism and postmodernism. The book continues with explorations of Vito Acconci and Hannah Wilke, whose practices exemplify a new kind of performance that arose in the late 1960s, one that represents a dramatic shift in the conception of the artistic subject. Jones then surveys the work of a younger generation of artists -- including Laurie Anderson, Orlan, Maureen Connor, Lyle Ashton Harris, Laura Aguilar, and Bob Flanagan -- whose recent work integrates technology and issues of identity to continue to expand the critique begun in earlier body art projects.

Embracing an exhilarating mix of methodologies and perspectives (including feminism, queer theory, philosophy, psychoanalysis, and literary theory), this rigorous and elegantexamination of body art provides rich historical insight and essential context that rethinks the parameters of postmodern culture.

• Sales Rank: #607125 in Books
• Brand: Jones, Amelia
• Published on: 1998-02-15
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x 1.00" w x 7.00" l, 1.70 pounds
• Binding: Paperback
• 368 pages

About the Author
Amelia Jones is Grierson Chair in Art History and Communication Studies at McGill University. Her books include "Irrational Modernism: A Neurasthenic History of New York Dada" (MIT Press), "Self/Image: Technology, Representation and the Contemporary Subject", and "Seeing Differently: A History and Theory of Identification and the Visual Arts."

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17 of 20 people found the following review helpful.
A tough slog
By A Customer
I really wanted to love this book, because I like a lot of the art she writes about. But the prose is awful!! And it's actually not that Jones is "too" theoretical -- if anything, she might not be "theoretical" enough. Instead, she constantly uses current crit theory buzzwords -- "performative," "embodied," "subject" etc -- without ever really defining or locating them. And the readings of individual art works get buried under her heavy-handed "thesis."
This is one of those academic texts that feels like it started with an "idea," and found work to fit it. Not that her engagements with Hannah Wilke, Bob Flanagan, et al, aren't sincere, because they are. But they still seem without real awareness, and some of the author's "personal" observations are just dopey.
Somehow she seems new to the territory and wierdly conventional.

18 of 22 people found the following review helpful.
Thinking bodies
By M. Cheng
BODY ART/PERFORMING THE SUBJECT offers an excellent critique of a fascinating phenomenon in contemporary art: the artist's voluntary use of her/his body in art. In this superb and much-needed book, Amelia Jones defines body art "as a set of performative practices that, through such intersubjective engagement, instantiate the dislocation or decentering of the Cartesian subject of modernism." Anti-formalist intersubjectivity and poststructuralist criticism against the Cartesian mind/body split are the two theoretical angles from which Jones examines body art pieces from the 1960s to the 1990s. She argues that body art performances, enacted against the grain of normative subject, exposes the logic of exclusion assumed by the modernist art history and criticism.
With this rigorous, incisive, and politically informed thesis, Jones develops a stunning series of analytical re-readings: from the action painting of Jackson Pollock--filmed by Hans Namuth; the erotic/violent/contemplative body sculpture of Vito Acconci; the feminist performances of Hannah Wilke, who marks sexuality, vitality, and mortality with equal measure of intelligence, humor, and courage; to the intersection of body and technology as exemplified by the works of Gary Hill, James Luna, Orlan, Bob Flanagan/Sheree Rose, Maureen Connor, Laurie Anderson, Lyle Ashton Harris, and Laura Aguilar. Other artists covered extensively in Body Art include Chris Burden, Yves Klein, Carolee Schneemann, Yayoi Kusama, Lynda Benglis, Marina Abramovic and Ulay, Adrian Piper, and Niki de Saint Phalle. The depth and breadth of Jones's theoretical references that particularize her portraits of these artists makes for the reading of this book a difficult but stimulating pleasure.
Provocatively argued and elegantly expressed, Body Art/Performing the Subject is a must-read for those interested in the debates over embodiment, subjectivity, performance, feminism, and theories of identity. The intensity of Jones's writing is the heat--and the cool--of a philosophical motion.

15 of 20 people found the following review helpful.
Off-mark performing?
By Kahlil Chaar
I bought Body Art: Peforming the Subject while doing a research paper for an undergrad course on Contemporary Art History. Amelia Jones' book brings a series of critically incisive contributions to current performance art and body art theoretical debates. Her use of phenomenologigal theory (Merleau-Ponty)is admirable amidst an American academia with a tendency to be over-run by fashionable perspectivisms oblivious to their own roots and histories. Yet, Jones' ambitious work is under-cut by a jargon-ridden prose that sometimes appears to go nowhere, especially when discussing Lacanian psychoanalysis and concepts such as the body, the self, the subject and the other. For example, while trying to argue for an anti-Cartesian view of the subject, Jones insists in mantaining the grammatical dichotomy of "body/self". Instead of pushing Derrida's supplement theory to its limits, Jones seems to have a step in and a step out of the normative and dangerous dichotomies that have plagued Western thought since Descartes.
Still, Amelia Jones' Body Art is a necessary book if one is interested in taking a peek at body and performance art debates. While it does not compare favorably to Schneider's rigourous and well-written dialogue with postmodern and performance theories nor to Goldberg's more traditional yet fascinating take on performance art, Body Art: Performing the Subject remains as an intelligent contribution to the history of performance and body art.

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Updated in a new 5th edition, this book lays a strong conceptual foundation to understanding the rationales of and limitations to public policy. It gives practical advice about how to do policy analysis while demonstrating the application of advanced analytical techniques through case study examples.

Policy Analysis: Concepts and Practices is a comprehensive, accessible, and rich introduction to policy analysis for readers in public policy, public administration, and business programs.

• Sales Rank: #16134 in Books
• Published on: 2010-03-01
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.10" w x 7.00" l, 1.72 pounds
• Binding: Paperback
• 494 pages

From the Publisher
An introduction to the practices of public policy -- and an examination of the conceptual foundation of their rationales.

From the Back Cover
This introduction to both the hows and whys of the practices of public policy provides reality-based practical advice about how to actually conduct policy analysis and demonstrates the application of advanced analytic techniques. Covers such topics as Efficiency and the Idealized Competitive Model; Rationales for Public Policy (Market Failures, Other Limitations of the Competitive Framework, and Distributional and Other Goals); Limits to Public Intervention: Government Failures; Correcting Market and Government Failures: Generic Policies; How to Confront Policy Problems; Goals/Alternatives Matrices: Some Examples from CBO Studies; Benefit-Cost Analysis; Thinking Strategically About Adoption and Implementation; Benefit- Cost Analysis in Bureaucratic Settings: The Strategic Petroleum Reserve; When Statistics Count: Revising the Lead Standard for Gasoline. For anyone involved in Policy Analysis, Public Policy, Public Finance, Cost-Benefit Analysis.

About the Author

David Weimer is a Professor at University of Wisconsin-Madison, USA.

Aidan R. Vining is a Professor at Simon Fraser University, Canada.

Most helpful customer reviews

31 of 32 people found the following review helpful.
essential book for anyone studying economics/public policy
By A Customer
I found this book by accident! And it saved my (academic) life, by giving me a clear, economics-grounded understanding of: -why markets fail -why governments fail too -what the alternatives are for correcting those failures (policy options) -how to do a cost/benefit analysis of the different policy options -how to structure a policy analysis -how to write it up and present it in a way that makes things happen.
Whether you work for an advocacy organization, a politician, a government agency, a corporation, or are simply interested in better understanding why governments intervene in the 'free market', this book will be a great help to you, too!

12 of 13 people found the following review helpful.
The best book available on policy analysis
By L. Geri
This is the 5th edition of the authors' classic text on policy analysis. It is a challenging textbook and it helps to have some knowledge of microeconomics when working through a few of the early chapters. But it deftly combines the economic analysis of policy with time-tested guidelines on the more general practice of policy analysis. I use it every year in the policy analysis course I teach and the students always give it excellent reviews.

19 of 23 people found the following review helpful.
a well-organized introduction to policy studies
By tnterada
Weimer's "Policy Analysis -3rd edition" provides a well-organized, widely-covered, and easily-understandable introduction to policy analysis. Although we have to seek for other materials for an in-depth analysis of some topics, the book helps us start with Public Policy, Policy Analysis, and even economic policies. This is especially good for undergraduate level, since this provides how to study, investigate, and write policy paper.

See all 24 customer reviews...

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